
Welcome to Fascism on Film
In the first episode of “Fascism on Film,” co-hosts Teal Minton and James Kent begin a conversation about one of the most unique and destructive political phenomena of the last century: fascism.

Wilkomen to the Weimar Republic: ‘Cabaret’
In this episode, we turn our attention to Cabaret (1972), Bob Fosse’s masterful film set in the final days of the Weimar Republic. At first glance, it’s a dazzling musical about performers in a Berlin nightclub.

A Storm Approaches: ‘The Mortal Storm’
In this episode, we talk about The Mortal Storm (1940), Frank Borzage’s quietly devastating portrait of a German family caught in the first months of Nazi rule. …

The Show Must Go On: ‘Mephisto’
In Mephisto, Klaus Maria Brandauer plays Hendrik Höfgen, an ambitious actor who becomes one of the most famous performers in Nazi theater and cinema. Based on a true story, the film charts the actor’s evolution in conscience and helps us define fascism. He doesn’t start as a fascist. He starts

The Ecstasy of Leni Riefenstahl: Triumph of the Will
In this episode of the Fascism on Film Podcast, we tackle Triumph of the Will (1935), the most iconic and disturbing Nazi propaganda film ever made. Directed by Leni Riefenstahl and commissioned by Adolf Hitler himself, this record of the 1934 Nuremberg Rally remains one of the most controversial works in cinema history.

Proto-fascism: The Birth of a Nation
On this week’s episode, the Fascism on Film Podcast tears into one of the most repugnant films of all time: “The Birth of a Nation.”
Upcoming Episodes:
A small selection of films we’ll be covering in future episodes.
The Birth of a Nation (D.W. Griffith, 1915)
Black Legion (Archie Mayo, 1937)
Confessions of a Nazi Spy (Anatole Litvak, 1939)
To Be or Not to Be (Ernst Lubitsch, 1942)
This Land is Mine (Jean Renoir, 1943)
None Shall Escape (Andre DeToth, 1944)
Rome, Open City (Roberto Rossellini, 1945)
Army of Shadows (Jean-Pierre Melville, 1969)
Amarcord (Federico Fellini, 1973)
The Night Porter (Liliana Cavani, 1974)
Seven Beauties (Lina Wertmuller, 1975)
Mr. Klein (Joseph Losey, 1976)
A Special Day (Ettore Scola, 1977)
The Last Metro (Francois Truffaut, 1980)
The Bunker (George Schaefer, 1981)
The Wave (Alexander Grasshoff, 1981)
Shoah (Claude Lanzmann, 1985)
Europa Europa (Agnieszka Holland, 1990)
Romper Stomper (Geoffrey Wright, 1992)
Starship Troopers (Paul Verhoeven, 1997)
American History X (Tony Kaye, 1998)
Downfall (Oliver Hirschbiegel, 2004)
Sophie Scholl: The Final Days (Marc Rothemund, 2005)
Pan’s Labyrinth (Guillermo del Toro,, 2006)
V for Vendetta (James McTeigue, 2006)
The Wave (Dennis Gansel, 2008)
The Reader (Stephen Daldry, 2009)
Inglourious Basterds (Quentin Tarantino, 2009)
Defiance (Edward Zwick, 2009)
Skin (Guy Nattiv, 2018)
Jojo Rabbit (Taika Waititi, 2019)
The Zone of Interest (Jonathan Glazer, 2023)