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Welcome to Fascism on Film

In the first episode of “Fascism on Film,” co-hosts Teal Minton and James Kent begin a conversation about one of the most unique and destructive political phenomena of the last century: fascism.

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The Show Must Go On: ‘Mephisto’

In Mephisto, Klaus Maria Brandauer plays Hendrik Höfgen, an ambitious actor who becomes one of the most famous performers in Nazi theater and cinema. Based on a true story, the film charts the actor’s evolution in conscience and helps us define fascism. He doesn’t start as a fascist. He starts

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The Ecstasy of Leni Riefenstahl: Triumph of the Will

In this episode of the Fascism on Film Podcast, we tackle Triumph of the Will (1935), the most iconic and disturbing Nazi propaganda film ever made. Directed by Leni Riefenstahl and commissioned by Adolf Hitler himself, this record of the 1934 Nuremberg Rally remains one of the most controversial works in cinema history.

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The Italian In Crowd: ‘The Conformist’

In this episode of the Fascism on Film Podcast, we look at Bernardo Bertolucci’s The Conformist (1970), a story about Marcello Clerici, a man in Mussolini’s Italy sent to Paris to spy on—and kill—his former professor, a socialist in exile. It’s also a study of how personal weakness and the

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Hiding from Fascism: ‘The Garden of the Finzi-Continis’

In this episode, we turn to Vittorio De Sica’s The Garden of the Finzi-Continis, an Oscar-winning adaptation of Giorgio Bassani’s semi-autobiographical novel. Set in Ferrara during the late 1930s, the film follows an aristocratic Jewish family who retreat behind the walls of their estate as Mussolini’s racial laws begin to

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Remembering Fascism: ‘Amarcord’

In this episode, we return to Italy through memory, ritual, and the absurd pageantry of daily life. Federico Fellini’s Amarcord (which means “I remember” in Romagnol dialect) recreates a year in the life of a small provincial town under Mussolini’s fascism. The result is both whimsical and damning. At first

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The Question of Fascism: ‘To Be or Not to Be’

Fascism on Film takes a sharp, funny, and surprisingly emotional look at Ernst Lubitsch’s 1942 wartime satire To Be or Not to Be—a screwball comedy about a Polish theater troupe who find themselves impersonating Nazis, outwitting Gestapo agents, and flying to safety in Hitler’s own airplane. What starts as a

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Finding the Courage: ‘This Land Is Mine’

Jean Renoir’s This Land Is Mine (1943) turns a Hollywood wartime drama into a story about fear, conscience, and the quiet choice to resist. Made after Renoir fled Vichy France, the film follows Albert Lory (Charles Laughton), a shy schoolteacher who must face his own cowardice under Nazi occupation.

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Upcoming Episodes:

A small selection of films we’ll be covering in future seasons.

None Shall Escape (Andre DeToth, 1944)

Rome, Open City (Roberto Rossellini, 1945)

Army of Shadows (Jean-Pierre Melville, 1969)

Amarcord (Federico Fellini, 1973)

The Night Porter (Liliana Cavani, 1974)

Seven Beauties (Lina Wertmuller, 1975)

Mr. Klein (Joseph Losey, 1976)

A Special Day (Ettore Scola, 1977)

The Last Metro (Francois Truffaut, 1980)

The Bunker (George Schaefer, 1981)

The Wave (Alexander Grasshoff, 1981)

Shoah (Claude Lanzmann, 1985)

Europa Europa (Agnieszka Holland, 1990)

Romper Stomper (Geoffrey Wright, 1992)

Starship Troopers (Paul Verhoeven, 1997)

American History X (Tony Kaye, 1998)

Downfall (Oliver Hirschbiegel, 2004)

Sophie Scholl: The Final Days (Marc Rothemund, 2005)

Pan’s Labyrinth (Guillermo del Toro,, 2006)

V for Vendetta (James McTeigue, 2006)

The Wave (Dennis Gansel, 2008)

The Reader (Stephen Daldry, 2009)

Inglourious Basterds (Quentin Tarantino, 2009)

Defiance (Edward Zwick, 2009)

Skin (Guy Nattiv, 2018)

Jojo Rabbit (Taika Waititi, 2019)

The Zone of Interest (Jonathan Glazer, 2023)